Before And After Anorexia

out rock

KELVIN / SPEEDY peons
split 10 "(Grinding Discs rec.)

Two young Italian companies are divided on the one hand to the head of this delicious vinyl 10" with blue aluminum cover (!). Kelvin: vivid Cows in the chromatic noise-rock that embraces the turgidity of Melvins Houdini . Solid and compact in the advance, but especially adept at locating the details along the way. peons Speedy: as for me slightly less than the split-mates, but not disreputable. Led by a drum machine engage the imagination leaping Man Or Astro-Man? and drag him inside cavity post punk. A nice round eight the whole operation and hope soon to see Kelvin on a more extended playing time.

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more dada than gaga

TROUBLE VS GLUE
s / t - CDR (Self)

are only two, and Mrs. Toni Trouble Glue, and make a fuss of the Virgin Mary. Imagine the funk-wave of miniaturized and schizoid Erase Errata sprinkled fractures Ralph Records (Mx-80 especially). Sounds tubular fluorescent derail from the tracks the pace to reach the clearing yellowed by the summer heat wave. Matches and petrol can in hand. The language that crosses the line of the upper lip in a split second. Declamatory vocals and trinkets caught in the barrel of the worst disco. Lewis meets Les Claypool Carroll. Quality craftsmanship, no doubt.

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my mind goes high

FROM CAPTAIN TRIPS
promo 2010 - CDR

Born as an offshoot of the very valid Oak's Mary, Da Captain Trips debut with a promo only four pieces of equipment. The perimeter is roughly traced by Captain Beyond: go straight down on the twinkling rhythmic acetylene shielding of the muscles. It seems a bit 'wordy in the course itself, but once you're in the curiosity to see "how it will end" does not handle the curtains. For those who appreciate the spiritual world-groove Earthless of the journey into the tunnel will be even more intriguing. Ps: what would come out and add an entry?

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border radio

DADDY WAS A DRIVER
s / t - CD (Zip rec.)

Of all eyes turned to the years of the paisley underground, one of Bologna's concerned, it seems the most genuine and selfless. The less calculated, in a sense, playing with the mirror of narcissistic references. Not only does convergence of litanies round and soft country-rocking boogie trawl, but also a desire of strength to another self-perception, without burning. Theirs is a calm fatalism of wrist and tearing apart from the songs without changing the structure and defined the contours. It 'a music that explodes in the gloom of this on tiptoe, aware of the transience faced by every step. It is the score board in the decisive game. In the batch my preference goes to songs like "Postcards From Des Moines" and "Somewhere In Tombstone" where - to give you a vague idea of \u200b\u200bwhat happens - the romance of the pugnacious Thin White Rope is coupled with the verve of rural Cowboy Junkies . Above all, however, "Hairy Woman" demonstrates how one can, with little, hidden touch the strings. Daddy Was a Driver: remember this name.

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acid rain

RUTH VELN KISS
I was 21yrs old and now no more - CD (Sometimes rec.)

The Capitoline Sometimes records is launching its business with a reissue of the demo recorded during the 90's by Paul Miceli, then in force in Kiske and My Violent Ego. Writing composition trusts to minimal pattern of magma turbulence (Glenn Branca & Sons) which fly the flags of a finishing next to shoegaze as "art of self-indulgence." A variety of address that makes it vulnerable to noise-magnitude smaller landslides. A means, not an obsession introduced by stealth to ritualized. Between catatonic and chills night languor sfa (l) sati the road to the heart is precisely that indicated to Ruth Veln Kiss. The dark side of punk-gaze obsessive compulsive as you've ever heard.