border radio
DADDY WAS A DRIVER
s / t - CD (Zip rec.)
Of all eyes turned to the years of the paisley underground, one of Bologna's concerned, it seems the most genuine and selfless. The less calculated, in a sense, playing with the mirror of narcissistic references. Not only does convergence of litanies round and soft country-rocking boogie trawl, but also a desire of strength to another self-perception, without burning. Theirs is a calm fatalism of wrist and tearing apart from the songs without changing the structure and defined the contours. It 'a music that explodes in the gloom of this on tiptoe, aware of the transience faced by every step. It is the score board in the decisive game. In the batch my preference goes to songs like "Postcards From Des Moines" and "Somewhere In Tombstone" where - to give you a vague idea of \u200b\u200bwhat happens - the romance of the pugnacious Thin White Rope is coupled with the verve of rural Cowboy Junkies . Above all, however, "Hairy Woman" demonstrates how one can, with little, hidden touch the strings. Daddy Was a Driver: remember this name.
Thursday, July 22, 2010
Saturday, July 17, 2010
JAPANPON
acid rain
RUTH VELN KISS
I was 21yrs old and now no more - CD (Sometimes rec.)
The Capitoline Sometimes records is launching its business with a reissue of the demo recorded during the 90's by Paul Miceli, then in force in Kiske and My Violent Ego. Writing composition trusts to minimal pattern of magma turbulence (Glenn Branca & Sons) which fly the flags of a finishing next to shoegaze as "art of self-indulgence." A variety of address that makes it vulnerable to noise-magnitude smaller landslides. A means, not an obsession introduced by stealth to ritualized. Between catatonic and chills night languor sfa (l) sati the road to the heart is precisely that indicated to Ruth Veln Kiss. The dark side of punk-gaze obsessive compulsive as you've ever heard.
RUTH VELN KISS
I was 21yrs old and now no more - CD (Sometimes rec.)
The Capitoline Sometimes records is launching its business with a reissue of the demo recorded during the 90's by Paul Miceli, then in force in Kiske and My Violent Ego. Writing composition trusts to minimal pattern of magma turbulence (Glenn Branca & Sons) which fly the flags of a finishing next to shoegaze as "art of self-indulgence." A variety of address that makes it vulnerable to noise-magnitude smaller landslides. A means, not an obsession introduced by stealth to ritualized. Between catatonic and chills night languor sfa (l) sati the road to the heart is precisely that indicated to Ruth Veln Kiss. The dark side of punk-gaze obsessive compulsive as you've ever heard.
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